Brunson’s win was the second for a Black actress within the class, and the primary in 42 years (since Isabel Sanford for The Jeffersons
). Let that sink in. Quinta Brunson, within the yr 2024, is simply the second Black actress ever
to win the Emmy for lead actress in a comedy, and the first
in over 40 years. For over 40 years, the Emmys hasn’t rewarded a single Black girl on this class. Consider the funniest particular person you already know; it’s a Black girl, isn’t it? Think about not acknowledging Black ladies leads in comedy for over 40 years. Issa Rae
shouldn’t be an Emmy winner. Tracee Ellis Ross
has by no means received this class. Brunson completely deserved to face on that stage to tearfully settle for her award, however when these stats are trotted out as wins for “variety,” I believe we also needs to level out that they aren’t simply enjoyable anecdotes to make use of in a trivia recreation. They’re evident reminders of the inequity that permeates via the business. As I stated once I wrote about Beyoncé and Davis, “celebrating these superficial accolades with out critique does a disservice to the structural points which are nonetheless entrenched in these organizations — and people points are worse for Black ladies.” The optimistic learn of the Emmys’ historic evening could be that it’s only the start, and any more, Black ladies will proceed to get their due. I wager they stated the identical 42 years in the past. There have solely been three Black ladies to win Edebiri’s class, Greatest Supporting Actress in a Comedy, and the final winner was Sheryl Lee Ralph in 2022
. Two in a row. That’s signal, proper? I hope so, but when historical past is any indication, progress on the Emmys isn’t linear. Between Lee Ralph and her predecessor Jackée Harry, there have been 35 years. Final evening, 5 of the 12 performing Emmys went to actors of shade, tying a document set in 1991 when Lynn Whitfield, Madge Sinclair, Ruby Dee, and James Earl Jones (he received two) all received their classes, in accordance with The Hollywood Reporter
. When one thing occurs each 30 years, it’s not a sign of change, it’s an anomaly. Black of us profitable awards they deserve shouldn’t be as uncommon as a celestial occasion.